Crime Jazz: Davis, Basie & Ellington

Crime Jazz: How Miles Davis, Count Basie & Duke Ellington Created Soundtracks for Noir Films & TV – Open Culture.

“Previously, movie music meant sweeping orchestral themes or traditional Broadway-style musicals,” says PopCult. “But with the growing popularity of bebop and hard bop as the sound of urban cool, studios began latching onto the now beat as a way to make their movies seem gritty or ‘street.’” AtJazz.com, Alan Kurtz writes about the spread of crime jazz from straight-up film noir to all sorts of productions having to do with life outside the law: “In movies and TV, jazz accompanied the entire sordid range of police-blotter behavior, from gambling, prostitution and drug addiction to theft, assault, murder and capital punishment.” Get yourself in the spirit of all those midcentury degeneracies and more with the tracks featured here, all of which will take you straight to an earlier kind of mean street: the theme from The M Squad, “two minutes of mayhem by Count Basie and his mob of heavies”; Miles Davis’ “Au Bar du Petit Bac,” improvised by Davis and his Parisian band against Louis Malle’s Elevator to the Gallows; and Ray Anthony’s “Peter Gunn Theme,” a “quickie cover” that “beat Henry Mancini’s original to the punch.”

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